#love love love love love edward norton and always will

[catabasis]

“I still don't understand the play.” ASTEROID CITY (2023, Wes Anderson)

[mobius-m-mobius]

But if anyone can name the killer, tell me how they achieved the murder, and most importantly, what was the motive...

DANIEL CRAIG and EDWARD NORTON in Glass Onion: A Knives Out Mystery (2022)

[wangmiao]

Zhang Luyi for GQ (2023/09/15)

[eatmeandbirthmeagain]

Hello, I'm not sure The request is already closed or not, if it's already closed then I'm sorry. But if it's still open, I have a request.

Do you know the KOH bloopers, when Edward Norton try to speak but got interrupted by a peacock? So imagine Baldwin trying to have a serious conversation with his wife but always being interrupted by peacocks.

Thank you very much, and please take your time no need to rush. I always love your writing and I do hope can support you enough ❤️

♤ Those Darn Birds - King Baldwin x Reader ♤

♤ Crack Fic ♤

A/N: Hello Anon! Thank you so much for your kind words and all your support, it really means a lot 🫶! This is a funny idea I like it a lot, thank you for sending it in. I hope it turned out how you imagined it would! As always this is based on the film Kingdom Of Heaven, not the real historical figures. Enjoy!

PS: Sorry that this one is short

“I told you earlier darling, your sister said that their wedding will be here, at the castle! She offered to host their union here six months ago!” y/n said as she untied her hair from the braid it was previously in.

“They were planning on hosting it in Jerusalem anyway, it was simply for convenience sake” she added, turning away from the mirror to look at Baldwin, whose unmasked face had dropped the second she mentioned the wedding of his cousin and her soon to be husband being held at the castle.

“What?! Why would she do that?? She knows how much that man hates me?!” he said in utter disbelief causing y/n to roll her eyes.

“Oh hush Baldwin, he does not hate you and you don't even need to speak with him!” she turned back to the mirror, continuing to work on her hair.

“That man is a complete-” a sudden loud noise from outside cut him off.

“What on earth was that?” y/n asked, a slight smile spreading across her face.

“I don't know, anyway he hates me and no doubt he will-” the loud sound cut him off again causing the queen to burst into a fit of giggles.

With an annoyed sigh, Baldwin stood and walked over to the window to look for the source of the sound.

“Oh it's those darn peacocks! Why do we even have those stupid things” he muttered, returning to his seat on the edge of their shared bed.

“Language, husband!” y/n said through laughter.

The king smiled and attempted to continue his sentence. “So anyway, as I was saying, the man that my cousin is to be wed to is incredibly rude and will no doubt try to start an argument with me about something. I would rather just not attend the wedding but since it's in MY castle I must! I am tired of Sybila making decisions without asking me first. I-” the peacock's obnoxious screeching cut him off for a third time.

Y/n began laughing again and this time, Baldwin couldn't help but join her.

[blonde-reverie]

When I was at the music shop, an older guy noticed the Hole CD I had picked up and told me about how he got to see them play at Whiskey a Go Go back before they were famous. He told me that his friend was an instructor for couples yoga in the 90s and that Courtney Love and Edward Norton attended many of his classes together, he said that Courtney was actually quite shy and awkward when introducing herself to people. I hope random strangers always come up to me every time I’m in a store and tell me obscure band facts about whatever I’m buying.

[alabamasweettea]

Hi sweetie 🌸🫶 please could you write a small fanfic about Edward Norton as Harlan in Down in the Valley x reader? With the same kind of relationship he has with Tobe in the movie for the first part of the movie, which is really romantic and he's not accepted by her dad but she doesn't care? Sort of 🫠 thank you so so much 💗 🫶🥹

hiiii i love this req, thanks sm for asking :)) sorry it took soooo long 😬 enjoy

~

That's It

Fandom: Down In the Valley (2005)

Pairing: Harlan x fem!reader

Warnings: a bit of angst but mostly fluff

Harlan had ridden down on a horse from... wherever he lived to pick you up in the dead of night. Crickets chirped tirelessly in the dark as you clambered on behind him.

Your bodies swayed with the horse's haunches as it walked. Harlan kept off the main roads, humming a small song as the big animal sauntered through tall grasses, their stems just brushing your legs.

You murmured, "This is nice."

His voice rumbled out into the still air in answer. You could feel it from where your arms wrapped around his middle, trying to stay on the horse.

"You like it?"

"Yeah," you breathed, taking in the sight as a bunch of fireflies burst up from their spots, disturbed by the steady walk of the horse. They lit up intermittently ahead of you, looking like a path of fairies. The moment was magical.

Yet you could feel Harlan getting antsy in front of you, and so was the horse in response to his stress.

"What's wrong?" You found yourself whispering, resting your head on his shoulder.

"Nothing." He was shaking his head, playing with your hands from where they rested around his waist. The horse made a noise as he let go of the reins and put its head down to start eating the grass. The steady chomp-chomp broke the silence that was rapidly growing between you.

You weren't satisfied with that. "Really, is something wrong? Did I- ?"

"It's not you," he said quickly, turning his body so he could look into your eyes. His were always so blue and hopeful, but now he seemed downcast. "It's, uh... it's your dad." He continued, still holding your hand. "He scares me sometimes. You know he doesn't exactly approve of, well... us. I dunno what he'll do if he finds out you've been sneakin' out to see me."

You giggle. "That's it?"

"What do you mean, 'that's it?' It's a real problem."

You covered your mouth to keep from laughing any harder. "Harlan, I would run away with you on this horse right now if you asked me to. Without stopping to pack, say goodbye, anything. Now, my dad can't do anything about that."

"So that's it, huh?" Harlan breathed, the life returning to his eyes. His face split into a smile almost instantly as he mulled over your words.

"That's it," you agreed, and kissed him as the sun crested the hill.

[i-lived-i-died-and-now-i-sleep]

What do you mean young Edward Norton in 'Everyone says I love you' doesn't give modern student Baldwin vibes?

My headcanon for now is that he is a History/Crusader studies student who originally lives in Paris. During his studies, he got the chance to study abroad and, of course, chose Jerusalem.

He is around 23 years old and always wears rather formal clothes (Dark Academia may be a fitting aesthetic for him). Also Baldwins overall physical health isn't the best. He often is sick and suffers from at least one chronic disease. That's why modern Baldwin also isn't a very outgoing person and often spends time in the library, studying.

[iballou]

Famous People Who Love Radiohead

Danielle Radcliffe: I was mainly listening to Radiohead for Harry in this film. Somebody did ask me yesterday if there was one album that could be Harry’s soundtrack during this movie. I think it would be Ok Computer by Radiohead, which I think tells you all you need to know about his character

Matt Smith: That’s it. That’s what I want when I go to the theatre, when I’m in a play, is them, and that experience that I get from them. I admire the musicianship, I admire the soul that goes into it, and the execution and the work, the preparation. Everything is done right, I think, and done with good intention and soul and heart and good spirit. They are a lesson to us all.

Brad Pitt: What was Brad Pitt talking about all the time? You won’t believe me, but no matter what the question was about, he always ended up talking about Radiohead. He seemed to be obsessed with the band and told that during the filming of “The Fight Club” he spent all his time listening to Radiohead, particularly Ok Computer, which is his favorite album. He argued that his movie wasn’t art, that contemporary art was about Thom Yorke because, according to him, the Radiohead´s singer was so important for his generation as Kafka and Beckett... He was completely captured by his devotion for Thom Yorke.

Christopher Nolan: I spent an afternoon talking about movies, memory and fragmented narrative with the 30-year old director at his apartment near the LACMA while he played Radiohead's Kid A on a boom box...Nolan wanted Paranoid Android to play over the credits of Memento, but the rights were too much so instead he uses Treefingers in the film.

Aaron Paul: When I was in London I followed Radiohead around - I went to both their concerts at the O2. Then I took the train to Paris, met up with my friend Vida and saw them at there as well. Seeing Radiohead in Paris is pretty magical.

Edward Norton: I'm friends with the guys in Radiohead, And Johnny Greenwood...And he and Thom (Yorke) had been playing a lot of weird ambient stuff at the time and so, amazingly,

Ellen Page: They became my first sincere love in music. Before that, I was jumping on my bed and listening to Aqua.

Elijah Wood: Elijah Wood was starstruck when he met Thom Yorke. The 'Lord of the Rings' star - who owns his own record label - says the most overwhelming moment of his life was he met the Radiohead singer, because he has been such a huge influence on him.

Stephen Colbert: He can’t be influenced by the agendas of politicians and public officials, but if you’re [Radiohead] he will gladly roll over for you.

Woody Harrelson: I’ve really become obsessed with Radiohead. In fact, the other day, there was a concert with Thom Yorke and Flea. So, I went — Flea’s a good buddy of mine. Great show! Phenomenal music. Just incredible, of course!

Tobey Maguire: I really respect them. I've been to a couple of their shows and it's pretty great. They've been really consistent in making great music and I really feel like they are true artists and put all of themselves in their music, so it will be interesting to hang out with them.

[isadomna]

Edward Seymour & Catherine Fillol

Although no marriage had been arranged for Jane, her parents had provided a bride for their eldest surviving son, Edward, in around 1519. The chosen bride was Catherine, daughter of Sir William Fillol of Woodlands in Horton, Dorset. Jane came to know Catherine Fillol well during her childhood although there is no record that the pair were close. The age gap was large and Catherine may always have seen Jane only as her husband’s younger sister. Jane shared in the joy of the rest of her family when Catherine bore Edward two sons in quick succession: John and Edward. Even before she reached home in 1533, Jane would have been aware that things had changed and that Catherine would no longer be there. The marriage had entirely broken down by 1528, the year of the death of Catherine’s father. Before his death, Sir William disinherited his daughter, son-in-law and his grandchildren. 

What happened in Edward and Catherine's marriage? Possibly a scandal came to light, and she was repudiated by her husband. Rumour suggests that Catherine’s repudiation was on the grounds of infidelity and this affected both her future and that of her sons. It is likely that Edward did indeed find his wife in a compromising position with a gentleman of his acquaintance. To the shame of both Jane and the rest of her family, it has been suggested that that Catherine’s lover was a gentleman that the Seymour family knew very well indeed.

Edward Seymour was often away from his family in the 1520s and he left his wife alone with his parents at Wolfhall. Catherine must have felt lonely and it has been suggested that her father-in-law, Sir John Seymour, sought to comfort her during this time. According to this interpretation, Sir John and Catherine became lovers, defying both church law and all convention. This affair lasted some time and, when Edward discovered it, the consequences were explosive. Edward sent a distraught Catherine to a nunnery and, whilst he talked openly of divorcing her, he never took the final step, instead waiting for her early death to allow him to marry again.

From the trauma that followed Edward’s discovery of the affair, enough doubt was cast on the paternity of Catherine’s elder son, for Edward to cease considering himself his father. The younger son, who escaped this censure, also received his father’s anger. The relationship between Edward and his father would also have been irreparably damaged and, whilst relations between the two men somewhat cooled following Edward’s second marriage to the aristocratic Anne Stanhope, they were never fully mended. Edward received a land grant in 1540, the grant details the line of heirs for it after Edward's death. The inheritance would first go to the children with his second wife, and if that line died out, it would then go to his second son by Catherine Fillol. His eldest son John is excluded entirely. 

Elizabeth Norton, Jane Seymour: Henry VIII's True Love

[fuckyeah-jessicabiel]

Jessica Biel for Los Angeles Confidential July-August 2006

THE REAL BIEL When the "sexiest woman alive" also turns out to be refreshingly down to earth, you have to believe she really was heaven-sent. By Cristina Kinon • Photographs by Brian Bowen Smith/Montage WE ALL GOT TO KNOW JESSICA BIEL as Mary Camden, the rebellious reverend's daughter on 7th Heaven. Soon after, she was screaming her way through The Texas Chainsaw Massacre, slaying vampires in Blade: Trinity, flying a killer plane in Stealth, and looking sexier than every other woman alive on the cover of 2005's Esquire. These days, she's just trying to cope with turn of the century Vienna society in The Illusionist—all while living the life of a normal 20-something girl in Los Angeles.

LOS ANGELES CONFIDENTIAL: Let's talk about your new film The Illusionist with Edward Norton and Paul Giamatti. What's it about? JESSICA BIEL: The film is... really hard to describe. It's unique and beautiful, an old-school style romance filled with the mystery and suspense of 1900s Vienna society and culture. It's about what these two people sacrifice trying to be together even though they are from very different parts of society.

LAC: How was it to act in a period piece? It's a very different style from your most recent roles. JB: It was very challenging, but really fun. Having an accent was great, but it took a lot of work. It was exciting for me to do something I haven't done before and that I don't have in my repertoire. The costumes, the locations, everything really helped to create this person who lived 100 years ago.

LAC: What kind of research did you do for the role? JB: [Director] Neil Burger lent me a handful of different books on the Habsburgs, who were kind of royalty living in Vienna at that time. I studied what women did every day—their lifestyle, culture, what was allowed, how they were supposed to behave in society and at home... just how different it really used to be. And I modeled my character, Princess Sophie, after Alma Mahler, composer Gustav Mahler's wife. I read this book—it was basically her diary—about her life and it really opened my eyes. She basically felt like a bird in a cage. And that's how Sophie feels in this movie. She just wants to fall in love with the person that she truly cares about, not just someone that's good for her in theory and for her family. She just wants to live life.

LAC: You mentioned your "repertoire," which is quite eclectic. Is that some-thing you've done consciously, or have these roles just come along at the right time? JB: I think it's been a bit of both. I've always been interested in doing dif-ferent things, trying to never repeat styles—at least not back to back. Whatever I had just done, I was intrigued and inspired to do the complete opposite.... Texas [Chainsaw Massacre] came about and I couldn't turn it down, so I didn't really want to do another action movie, but then Blade came up, and then Stealth. It's sort of just luck of the draw—roles pop up that you can't say no to, but it is a conscious choice to not only do action movies, like with The Illusionist.

LAC: What is your dream role? JB: I'm hoping someone will ask me to do some sort of a life story—an auto-biography of a musician, something with music. Or film noir, like a 1930s sus-pense scandal story about Hollywood.

LAC: How do you feel about 7th Heaven being picked up for another sea-son? Will you make any more appearances? JB: I know, it's crazy! But I have no idea. 7th Heaven has been wonderful to and for me, and I will always be grateful for that. I love the entire cast and everyone involved in the show so it's always a definite possibility.

LAC: What was the driving force behind your initially leaving the show? JB: Initially, I just wanted to go to college. I hadn't experienced traditional-style high school. I wanted to be around kids my own age and to stop work-ing full time. I was burned out.

LAC: You've spoken out in the past about how you won't pose for certain men's magazines like FHM and Maxim. Do you still feel that way, and what provoked that decision? JB: I do still feel that way. I think my experience working with Gear magazine [in 2000; some have said the controversial topless shoot led to Biel being let out of her 7th Heaven contract] was the number one reason.Plus, I feel like I've already done that, and I'm not interested in it anymore.

LAC: Well, regardless of your attitude toward them, these magazines still vote you onto their "hottest" lists year after year. Do you pay attention to that? JB: Not really, but I do always think it's flattering to be in the company of the caliber of people on those lists.

LAC: What about Esquire voting you "sexiest woman alive" last year? JB: That was totally different. I really respect Esquire, and for them to [give me that title] was extremely flattering. When I found out I was just like, Who voted for me? My parents? It was unbelievable. And the photographs were super classy and very beautiful.

LAC: What do you do in LA for fun? JB: I think it's such a great city to be in when you're 20-something. Lately my thing has been going to see movies in the Hollywood cemetery. It's a really unique LA experience. Sometimes friends and I will sing karaoke at the Gaslight. And I love taking my dog to the dog beach in Huntington. LAC: What's up next for you? JB: I have Home of the Brave, a movie about American soldiers coming home from Iraq coming out in 2007, and right now I'm in the middle of shooting Next, a romantic action movie with Nick Cage and Julianne Moore.

LAC: I read you were once offered a role in Broadway's Rent—is that true? JB: I did audition for the Broadway production of Rent and was offered the Maureen role. I ended up not taking it because I really wanted to create character from scratch and being on Broadway in a show like Rent that character is already there and you're really working inside a box. But it is one of my favorite musicals ever, and sometimes I look back and I wouldn't say regret it, but I do think it could have been amazing.

LAC: So you're a singer, too. Think you'll ever cross over and put out a CD? JB: Singing was my first passion. I had been singing since I was eight year old and was always the musical theater geek, even up until I landed 7th Heaven. I'd like to bring it back, but it's really hard to transition from film to music unless you're extremely talented. There are so many good female artists around today, I would be wary of trying anything right now unless got together a great band—definitely not as a solo artist. *

[glowing-disciple]

Reading List - 2024

Currently Reading:

The Book of Dragons by Edith Nesbit

Peter and Wendy by J. M. Barrie

Sweet Sweet Revenge LTD by Jonas Jonasson

Books Read:

101 Famous Poems by Various Authors

The Abraham Lincoln Joke Book by Beatrice Schenk De Regniers

The Ancient Aliens Question by Philip Coppens

The Art of Computer Designing by Osamu Sato

The Broken Dice, and Other Mathematical Tales of Chance by Ivar Ekeland

The Cairngorms by Patrick Baker

The Codebreaker's Handbook by Herbie Brennan

The Color Kittens by Margaret Wise Brown

The Complete Book of Kitchen Collecting by Barbera E. Mauzy

Dinosaurs, Beware! A Safety Guide by Marc Brown

Dracula by Bram Stoker

Dreaming the Biosphere by Rebecca Reider

Farmer Boy by Laura Ingalls Wilder

Frog and Toad are Friends by Arnold Lobel

Funny Number Tricks by Rose Wyler

Gender Queer: A Memoir by Maia Kobabe

Giant Sea Creatures, Real and Fantastic by John Frederick Waters

Great Mysteries of the Ice and Snow by Edward F. Dolan

Hammer of the Gods by Stephen Davis

Hiram's Red Shirt by Mabel Watts

A History of Chess by Jerzy Gizycki

I don't care by JoAnn Nelson

An Introduction to Linguistics by Loreto Todd

Jaws by Peter Benchley

Jungian Archetypes: Jung, Gödel, and the History of Archetypes by Robin Robertson

Keeper of the Bees by Gene Stratton-Porter

MASH: An Army Surgeon in Korea by Otto F. Apel

The Messier Objects Field Guide by Stephen James O'Meara

Out of the Silent Planet by C. S. Lewis

Precious Remedies Against Satan’s Devices by Thomas Brooks

Reflections on Evolution by Fredrick Sproull

Roadie: My Life on the Road with Coldplay by Matt McGinn

Some of The Merry Adventures of Robin Hood of Great Renown in Nottinghamshire by Howard Pyle

Strange Creatures of the Ice and Snow by Edward F. Dolan

Time for Bed, Sleepyheads by Normand Chartier

Weird Islands by Jean de Boschère

Future Reading:

A Girl of the Limberlost by Gene Stratton-Porter

Adventures in Cryptozoology Vol. 1 by Richard Freeman

All the King's Men by Robert Penn Warren

Always Running by Luis J. Rodriguez

Ancient Mysteries, Modern Visions by Philip S. Callahan

The Anti-Mary Exposed by Carrie Gress

The Arm of the Starfish by Madeleine L'Engle

The Art Nouveau Style by Stephan Tschudi Madsen

As I Lay Dying by William Faulkner

Black Beauty by Anna Sewell

Braiding Sweetgrass by Robin Wall Kimmerer

Brave New World by Aldous Huxley

The Call of the Wild by Jack London

The Catcher in the Rye by J. D. Salinger

Champions of the Rosary by Donald H. Calloway

The Color Purple by Alice Walker

The Complete Works of H. P. Lovecraft

Cubism by Guillaume Apollinaire

Dear Mr. Henshaw by Beverly Cleary

Ender's Game by Orson Scott Card

Equal Rites by Terry Pratchett

Evolution by Nowell Stebbing

Expressionism by Ashley Bassie

Fahrenheit 451 by Ray Bradbury

Fearsome Creatures of the Lumberwoods by Hal Johnson

Found in a Bookshop by Stephanie Butland

Frankenstein by Mary Shelly

Freaks on the Fells by R. M. Ballantyne

Freckles by Gene Stratton-Porter

Fundamentals of Character Design by Various Authors

Graceling by Kristin Cashore

The Great Gatsby by F. Scott Fitzgerald

The History of Don Quixote de la Mancha by Miquel de Cervantes Saavedra

Howl's Moving Castle by Diana Wynne Jones

Humorous Ghost Stories by Various Authors

I, Robot by Isaac Asimov

Illuminated Manuscripts by Tamara Woronowa

The Island of Doctor Moreau by H. G. Wells

Joan Miro by Joan Miro

The Jungle by Upton Sinclair

Jurassic Park by Michael Crichton

Light of the Western Stars by Zane Grey

Living by the Sword by Eric Demski

The Longest Cocktail Party by Richard DiLello

Mere Christianity by C. S. Lewis

North and South by Elizabeth Cleghorn Gaskell

Otis Spofford by Beverly Clearly

The Phantom Tollbooth by Norton Juster

The Shining by Stephen King

The Silmarillion by J R R Tolkien

The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson

Strange Love by Ann Aguirre

The River by Gary Paulsen

Things My Son Needs to Know About the World by Fredrik Backman

The Third Man Factor by John Geiger

The Time Machine by H. G. Wells

To Kill a Mockingbird by Harper Lee

Treasure Island by Robert Louis Stevenson

The War of the Worlds by H. G. Wells

We Are Where the Nightmares Go and Other Stories by C. Robert Cargill

The Weiser Field Guide to Cryptozoology by Deena West Budd

The White Mountains by John Christopher

[thestalwartheart]

Hellooo I thought I might bang out some incoherent thoughts following your post about the influx of Blanc fans who hate Bond (or think they do because they've never actually bothered to watch any of the films) since I can't sleep :). I mentioned in my reply to your post earlier that a lot of people can't handle the idea of being emotionally invested a piece of media where the main character is morally ambiguous which genuinely annoys/terrifies me. It would be interesting to get a sense of how you/others actually became Bond fans in the first place and some of the reactions you get from people if you tell them. I get that part of the appeal for Benoit is that he's a bit of a blank slate. You can really project whatever you want onto him because he intentionally doesn't have many defining characteristics, other than the fact that he's queer and has a killer wardrobe. He's always in control of every situation he's in as well as his emotions and understandably, he makes you as a viewer feel safe. Like I get that and I love him dearly but he's also ripe for a certain kind of fan to be really really annoying. I also remember during the glass onion press tour when Edward Norton would always say in interviews that he thought Daniel was more Blanc than Bond in real life and when someone told Daniel about that he was basically like "what the fuck is Ed on about??" which I thought was hilarious. Not to read too deeply into it but I genuinely feel like so much of what he brought to Bond comes from his soul and I always got the sense that his Bond films are deeply personal, which is why they have us out here crying and throwing up. Anyway, thank you for all you have given to the Bond/00Q/Daniel Craig enjoyer community, you are truly a gem <3

I became a Bond fan when I was about twelve and my mother decided moderating film content for a girl about to enter high school was a useless endeavour. Pierce Brosnan was my first Bond. It was the gadgets that hooked me in, mostly, but I grew up after that point watching the films and loving them. Casino Royale was the first one I ever saw in cinema and I'll never forget the tension during that poker game with Le Chiffre. You could really hear the audience's teeth grinding with the stress lol.

I've never really heard any adverse reactions from people when I tell I'm a fan of Bond, but that might be because Daniel Craig's interpretation of the character seems to have lent the films a certain credibility that people aren't as willing to extend to the previous films. At worst, people think it's a bit naff that I like them, which...yeah sure. It probably is! But cringe culture is dead and I am enough of a critical thinker to enjoy problematic or morally ambiguous content without believing any of it should happen in real life. For instance, I think had there been a real public inquiry into intelligence services like M faced in Skyfall, I would probably take the side of the opposition. But it's Bond, so I was cheering M on while she quoted Tennyson.

The best way I can sum my thoughts on Daniel Craig and Bond is to refer to the lovely Ben Whishaw, who said in this interview that Daniel was remarkably clever in the ways he managed to bring the franchise into the twenty-first century, while still being aware of the history of it.

Interestingly, he also said there actually is a lot of Daniel in Bond's character, which is something I was delighted to hear him point out. I mean, Daniel Craig will be the first to admit that he doesn't want to be anything like Bond (see this post for an example and a laugh). Yet, he manages to capture the really vulnerable core of Bond under all that masculine posturing. In the end, Bond has accepted that life isn't all about duty to your country. Love, friendship and family are the things that make you feel steady even when you feel like you're about to tear yourself apart. I can't imagine any previous iteration of Bond managing to carry off that message in a believable way. And I think it happened because Daniel Craig had an incredible, unprecedented amount of creative control over the character.

I'm sure the Knives Out films gave Daniel a wonderful reprieve from having to carry all that literary and film history, but he's so proud of those Bond films, and has said so over and over, even when he's been frustrated with the toll on his body and his personal life. They're great films, and, oddly enough, I think people are only realising it now that his era is over. I hope more people dive into them and see the passion he had for that role, even with all of its ups and downs.

The last thing I'll say is that some fans have a tendency to project their own joys, frustrations and preferences onto actors, assuming that they are, in some way, facsimiles of the characters they play. At the end of the day, Daniel Craig simply doing his job. The characters are brilliant because he is brilliant. It's not real life.

Anyway, I'll continue stanning both Bond and Blanc! Thanks for the ask, friend!

[finchers-ipad]

as a fight club and will graham enjoyer, what are your thoughts on ednort’s will graham?

omg i love this ask. listen, i love ed norton when he has good directon, drive and a complex character i think he can give a really great performance. so i don’t know what the fuck he was doing playing will graham. it is one of the most lifeless and straight up boring performances i’ve seen him give WHEN THE CHARACTER IS SO RITCH I DONT UNDERSTAND WHAT HAPPENED. his interpretation (as well as the writers and directors, because this can’t be just his fault) is that will is this typical run of the mill straight and driven cop who is stressed out with the tooth fairy case but kind of just because it’s a stressful job that keeps him from his wife and kid.

from what i understand, because i haven’t watched ‘manhunter’, is that the red dragon film introduced the fact that will and hannibal knew each other prior to hannibal being caught. this, to me, is really fun and interesting and they could have made this an integral part of both of their characters and strengthened and complicated their relationship (which we see done absolutely BEAUTIFULLY in season 3b of NBC’s hannibal). but no. it feels like anthony hopkins and ed norton are two pieces of sandpaper rubbing together whenever they are on screen together. for example in the opening scene where they are supposed to be collages and somewhat friendly as will is in hannibal’s house THEY FEEL LIKE FUCKING STRANGERS. ed norton is soooo reserved as will which frustrates me because we have seen him do more. he should have given the same character performance as the narrator in fight club as he did with will graham in red dragon. it didn’t even need to be to that standard but idk he needed to do more, especially with his empathy because it’s just so brushed off. again i know this is at fault of the writing and directing too but oh fuck it annoys me.

i know ed nortons and hugh dancys will graham’s are very different also because of their different story’s and that has to be said HOWEVER the shows interpretation of hannibal and will’s relationship is so much richer (not even factoring in their queerness). to me, hugh dancy’s view of will’s relationship with hannibal is “after everything you have repeatedly put me through, after discovering all that you are, you continue to be the only person who has and the only person who could understand me even though i can’t always admit that and don’t always want that”. BUT edward norton’s view of will’s relationship with hannibal is “you betrayed me when i put my trust in you and i resent the fact that i need you now” which really doesn’t hit the fucking same.

there’s this really cool video essay ( https://youtu.be/PA1zrO3YQmk?si=dTsKzwTFiGSMAApN ) that says something like “will isn’t supposed to be a straight man, he’s not supposed to be as smooth as ice, he’s supposed to be a fucked up little freak” which i whole heartedly agree with. this is mainly to do with the writing again but you can see ed norton his holding himself back, he looks like he doesn’t believe the words coming out of his own mouth. especially in the scene where the red dragon has a knife at his sons throat and he’s shouting at him. literally the most diluted performance i’ve ever seen him give i think.

especially when i watched the show before any of the movies so i was so excited that my interests overlapped, then was disappointed that he played will so strangely. anyway one of my only pros of his will graham is that it was during his early 2000’s phase of being blonde which i enjoyed. and also ‘red dragon’ keeps the line about hannibal wanting to eat wills heart. the rest…burn it. i feel like i could talk about will and hannibal’s relationship in ‘NBC’s hannibal’ till my face turns blue and a die from lack of oxygen. where as i can barely scrounge a few thoughts together about their relationship in ‘red dragon’ that aren’t just how dry it is. this is a testament to the writing of the show but also to mads mikkelsen and hugh dancy’s chemistry. it feels (to me) like anthony hopkins was given the impossible task of living up to his performance in ‘the silence of the lambs’ especially when his screen time was doubled and then edward norton was given the impossible task of filling in the position of clarice starling that audiences were craving, which just left me wanting more from his performance.

[neattequila]

HARRY’S STYLE EVOLUTION PART 2 (HS1 Era) by an actual stylist

First off, thanks for the love on part 1! It was truly, so fun to write. I have such a good time looking into Harry's style because it's something I've always kept my eye on throughout his and my own career. If you haven't read part 1, I definitely recommend it, as I'll be referencing some things from it. (Link to that is here.)

This is part 2, which is solo Harry, particularly during the making and tour of HS1 (2017-2018.) I just have TOO much to say about his style for it to be concise I'm so sorry lol.

Without further ado, let's get into it!

2017!

Harry's first official appearance after 1D is on October 6th, 2016, a dinner hosted to celebrate his trio of Another Man covers with Alister Mackie and Kris Van Assche. He wears a suit by Dior Homme.

To debut his single "Sing of the Times" on the Radio 1 Breakfast Show with Nick Grimshaw, he wears Gucci tartan trousers (left). He has a real Gucci tartan moment here. Also wearing a Gucci tartan suit to perform on Saturday Night Live (right.)

At this time, his personal style is still reminiscent of his late 1D style. He's still wearing black skinny jeans and the infamous YSL suede boots. He falls into a real short sleeve button-up/Hawaiian shirt kick here. Wearing it during Snl Promo (left) on Carpool Karaoke (middle) and a black open version at a New York Rangers game (right.)

On the day his solo album is released, he wears a tartan Vivien Westwood suit with Gucci loafers (left), and on the Today Show, he wears the GORGEOUS bespoke Edward Sexton bubblegum pink suit (right.)

At this point, Harry's worn a suit to basically every public appearance he's had since 1D broke up. This makes a lot of sense. He's starting his solo career and wants to be taken seriously. What's more serious than a suit? They're often brilliantly patterned or in bright colors. Showing his fans and the world that he's still the flamboyant, bright, charming person they knew in 1D but evolved. Older now, no longer in a boyband but a Man Band, as he himself puts it.

Harry wears these Gucci wide-leg trousers with dragon detailing on the leg several times. I personally love this look. He wears a pink version (left) at his first solo show at the Garage, a brown version (right,) to perform at a Sirius XM event, he also wears a similar one to perform on the Graham Norton Show. Middle, he wears a Gucci suit with Roker boots on the James Cordon show.

Also, on James Corden's show (sorry lol) he wears the same Roker boots and this dark emerald green VELVET suit by Saint Laurent that I'm absolutely obsessed with and feel like we did not give her her moment (left.)

He's also doing Dunkirk promo at this time and typically dresses much subtler for those appearances than he does to promote his own music. It makes sense he's not trying to command the spotlight at these press events, instead opting to seem more like an ensemble player. For the French premiere of Dunkirk, he wears a suit by Prada and Roker boots.

In another Late Late show appearance (he does so many during this time), he wears this Loverboy jumpsuit by Charles Jeffery (left), and on an Elvis Duran appearance, he wears a button down with art that mimics his tattoos by Stella McCartney, along with black skinny jeans and Calvin Klein boots (right.)

In September of 2017, his official Live on Tour starts in San Francisco, and he wears a floral printed suit by Gucci (left.) Later he will wear a similarly patterned floral Gucci suit to perform at Radio City Music Hall (right.)

At the iHeartRadio music festival, he wears a harlequin Gucci suit (left), and later in Sydney, Australia, at the Aria awards, he'll wear one of my favorite suits. An Alexander McQueen suit paired with gold Roker boots.

At this point, it's clear that Harry's love affair with Gucci has started he won't become the frontman of the Memoire d’une Odeur Gucci fragrance until 2019, but he definitely has some affiliation with the brand. I'm sure they're sending him pieces and working with him closely. It's unclear if this is spurred on by Harry Lambert or if Harry Styles and Alessandro Michele are friends yet, but regardless, he wears Gucci more than any other designer at this point, and Gucci will go on to supply a lot of the suits he wears during the tour.

At the 2017 Victoria's Secret Fashion Show, Harry performs wearing two suits. First is a light blue suit (left), and later, he changes into a black suit with velvet details and a pink undershirt (right.)

2018!

Harry will wear A LOT of suits during the Live on Tour tour (those were the days, huh,) and in a bit, I'll go over some of my favorites. (If you want to see all of them, that can be found here,) but first, I want to talk about his personal style.

We see him starting to move away from skinny jeans and opting for more expressive pants. In the picture on the right, he wears the first Bode piece I believe we ever see him wear! This fits the culture of the time as we as a public begin to move farther and farther away from skinny jeans.

He's not back to adorning himself in vintage t-shirts quite yet (we'll get more into that during his Fine Line era.) But there is a noticeable difference in his style, for sure. He's much trendier than he was before, and much like how his style evolved when he was hanging out with Nick Grimshaw and co, I do think part of this style change is due to his relationship with Camille Rowe.

Harry and her were first linked in July of 2017 and have assumedly been dating for several months at this time. It makes sense that he'd be gaining some of her style from osmosis. Later he'll even admit himself, "There's a piece of you in how I dress."

We'll get more into this during his Fine Line era, as that's when he starts dressing A LOT more like her, but I do think there is a noticeable shift in 2018.

As mentioned before Harry wears A LOT of suits during this time and though I genuinely do have an opinion on every single one of them, there's just not the time. So below, I'll highlight some of my favorites.

Left Harry performs at the We Can Survive Benefit in Hollywood in a custom Stella McCartney suit. Right he wears the infamous ensemble by Harris Reed (I went to university with them and am totally not jealous at all) on tour in Amsterdam.

One of the best things about the Live on Tour suits was that there really was a sense that outfits were picked for specific places.

In Glasglow, Scotland, he wears a kilt (left) from London outfitters Highland Store. When performing in Mexico city (right) he wears a suit with embroidery and right sparkly fringe (one of my favorites he'll ever wear.)

In Bologna, he wears one of my favorite Gucci suits.

That's it for part 2! Fine Line era is next, and you better strap yourselves in for that one because I have. LITERALLY SO MUCH TO SAY!

Thank you sm for reading! <3

[ogradyfilm]

My Five Favorite Movie Villains of 2022

[The following list contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!]

De Guiche (Cyrano): A pompous, foppish aristocrat that wields his wealth and influence like a blunt instrument, Ben Mendelsohn’s De Guiche adds a delicious complication to the love triangle that drives Cyrano’s conflict. As far as he’s concerned, romance doesn’t exist; sexual relationships are all about power and control. This philosophy essentially positions him as the witty, strong-willed Roxanne’s antithesis—making his lecherous obsession with her all the more unsettling. His show-stopping song, “What I Deserve”, is a chilling ode to male entitlement and toxic masculinity.

Namor (Black Panther: Wakanda Forever): Regal. Machiavellian. Sexy as hell. Marvel’s original antihero is as complex and compelling on the big screen as he’s always been on the page: physically imposing yet deviously manipulative, temperamental yet sensitive, vindictive yet honorable. While he favors shock and awe tactics, absolutely devastating Wakanda’s forces in every skirmish, the leader of Talokan is also a cunning strategist and shrewd diplomat; even his eventual “defeat” ultimately benefits his empire—exactly as he orchestrated.

Miles Quaritch (Avatar: The Way of Water): Gleefully sadistic and unabashedly egomaniacal, the resurrected Colonel Miles Quaritch is machismo and bravado incarnate—a brutish jarhead with delusions of grandeur. His quest to avenge his own death at the hands of Jake Sully and Neytiri is motivated primarily by wounded pride; indeed, when he learns that his hated foe managed to tame his flying mount without the aid of sedatives, he becomes determined to mimic the feat—an act of petty one-upmanship that reveals everything the audience needs to know about his character.

[FINAL WARNING: MAJOR SPOILERS BELOW THE BREAK!]

AJ Gilbride (Barbarian): What makes Justin Long’s unrepentant rapist so disturbing is that there’s nothing especially remarkable about his particular brand of evil; he’s simply an enormous douchebag, selfish and utterly devoid of empathy. Worst of all, he’s completely self-aware, frequently apologizing for his morally repugnant behavior and promising to change his wicked ways. Whenever an opportunity for redemption arises, however, he consistently rejects it—which makes his grisly, gory demise delightfully cathartic.

Miles Bron (Glass Onion: A Knives Out Mystery): The killer at the center of Benoit Blanc’s latest murder mystery could easily have been a shallow sendup of Elon Musk, Mark Zuckerberg, and Steve Jobs; fortunately, Rian Johnson’s sharp script and Edward Norton’s savvy performance elevate the otherwise broad caricature. This New Age tech bro may be the dimmest bulb in any given room, but he’s charming, charismatic, and confident enough to inspire loyalty and obedience among his followers and hangers-on. He’s the personification of capitalism gone awry, living proof that you don’t need to be intelligent or industrious to become a billionaire—just conniving, manipulative, and ruthlessly pragmatic.

Honorable Mentions

Magenta (Dragon Ball Super: Super Hero): A scathing parody of author Akira Toriyama’s experiences with editorial interference—and a hilariously ineffectual antagonist to boot.

Corey Cunningham (Halloween Ends): A meditation on the cyclical, self-perpetuating nature of alienation and violence; this unjustly persecuted youth’s gradual corruption is heartbreakingly tragic.

The Grabber (The Black Phone): The perfect marriage between an iconic design (courtesy of Tom Savini) and a captivating performance (courtesy of Ethan Hawke); leaves an indelible impression with minimal screen time.

The Podestá (Pinocchio): The model conformist—unwaveringly jingoistic, mindlessly subservient, and incapable of independent thought. He'd be pitiful... were he not such an abusive, tyrannical, fascist piece of trash.

Colonel Tom Parker (Elvis): This Mephistophelian trickster enriches the rather predictable biopic surrounding him; I don’t know what the hell Tom Hanks is smoking nowadays, but it is imperative that Hollywood keeps him supplied.

[crones-trash]

Asteroid City, A Personal Review

Movies by Wes Anderson are an acquired taste. Most people don't like them but those of us who do really, really love them. His style is beyond quirky, way-out-there bizarre unrealistic plots, constrained performances, & brazenly artful scenery. Anderson doesn't even try to make commercially-viable movies. He makes ART! And he employs large casts of serious actors putting them in circumstances that turn straight actors into comedians & comedians into drama stars.

Under his direction, his ensembles are forced to conform to his insistence on them doing a parody of normal speech & behavior. They drone in emotionless monotones w deadpan demeanors, which puts the emphasis on the content of their speeches. His clever scripts are laugh-out-laugh funny when you listen to the words. But, if you don't, their performances can look utterly boring. And this leads your eyes to feasting on the background details. (I confess I've sat thru a couple of his movies only absorbing the set designs & camera angles but came out feeling refreshed & happy.)

Asteroid City is The Most Wes Anderson movie EVAH! He's got an All-Star cast including Tom Hanks, Scarlet Johansen, Brian Cranston, Adrien Brody, Edward Norton, Tilda Swinton, Willem Dafoe, and many, many more. Even the bit players have recognizable faces like Margo Robbie appears in only one scene that blows your mind. And Jason Schwartzman as the central character is amazing! He was allowed to project surprising micro-bursts of real emotion within the straight-jacket of Anderson's usual affectations.

The plot is impossibly convoluted: a 1950's B&W TV show about the writing of a play about a Technicolor movie w B&W Behind-the-Scenes inclusions of the play's actors behaving more naturalistically. This might actually be a first for Anderson & he uses it to press against the boundary of his usual creative methods. Leading up to the Grand Finale, Schwartzman steps outside of his primary Technicolor role to confront the writer of the play in B&W & demands to know what the story means!

In this moment, Anderson confronts his critics because one of the main complaints about his work is "WTF was that about!" I often recommend to people who have no previous experience w his movies to enjoy the snappy dialog & lush scenery; don't even try to make sense of it; simply let it roll over you & feel whatever you feel. Usually, after the fact, I examine what I felt & find some meaning for myself.

But, this time he has the entire cast arranged in tiered seating & they crash thru the 4th Wall by directly chanting at the viewer,

"YOU CAN'T WAKE UP IF YOU DON'T FALL ASLEEP!"

My eyes flooded w tears & I felt what Anderson intended me to feel—GRIEF! Yes, indeed, the Technicolor movie is centered on a story about a man processing the death of his wife, having to tell his children their mother is dead, & making peace w the father-in-law who never liked him. It's about letting go & moving on w the rest of your life.

I realize the chant is open to interpretation &, after the fact, I googled what others thought it meant. Most of them got the message about grief from it but have varied explanations for was the literal statement means.

My interpretation is: Movies are like dreams & the best way to watch them is to suspend your disbelief & enter a semi-conscious state to allow them to "happen" to you. Then you wake up when the movie is over & apply your critical thinking to what you experienced. If you obstinately remain self-conscious & busily critical, you simply won't get THE FULL EFFECT!

And, ya'know what? Grief is like that. And so are all traumatic events. If you don't give into the process of feeling your emotions, you'll never get over it. It will always be like a ghost haunting the back of your mind that spooks you until you confront it.

As someone who has experienced traumatic grief for going on 2½ years that evolved into a state of confusion since moving to Portland, I think this movie helped me "wake up".

Hey, look! I'm writing from my heart again!